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Alma-Tadema, Sir Lawrence Orante (mk23) oil painting


Orante (mk23)
Painting ID::  22995
Alma-Tadema, Sir Lawrence
Orante (mk23)
1907 Oil on wood,41.5 x 33.5 cm(16 3/8 x 13 1/8 in) Private collection

   
   
     

Alma-Tadema, Sir Lawrence Bacchante (mk23) oil painting


Bacchante (mk23)
Painting ID::  22996
Alma-Tadema, Sir Lawrence
Bacchante (mk23)
1907 Oil on wood,41.5 x 33.5 cm(16 3/8 x 13 1/8 in) Private collection

   
   
     

Alma-Tadema, Sir Lawrence The Golden Hour (mk23) oil painting


The Golden Hour (mk23)
Painting ID::  22997
Alma-Tadema, Sir Lawrence
The Golden Hour (mk23)
1908 Oil on canvas,35.5 x 35.5 cm(14 x 14 in) Private collection

   
   
     

Alma-Tadema, Sir Lawrence The Voice of Spring (mk23) oil painting


The Voice of Spring (mk23)
Painting ID::  22998
Alma-Tadema, Sir Lawrence
The Voice of Spring (mk23)
1910 Oil on wood,48.8 x 115 cm(19 1/4 x 45 1/4 in) Private collection

   
   
     

Alma-Tadema, Sir Lawrence Fernand Khnopff (mk23) oil painting


Fernand Khnopff (mk23)
Painting ID::  22999
Alma-Tadema, Sir Lawrence
Fernand Khnopff (mk23)
Who shall Deliver Me ? 1891 Coloured chalk on paper,22.3 x 13 cm(8 3/4 x 5 1/8 in) Private collection

   
   
     

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     Alma-Tadema, Sir Lawrence
     b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

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